An exploration of St Peter's Seminary, Cardross on the Firth of Clyde.
Glasgow in the post-war years and the Corporation's futuristic plans for the city's development. [The film was made to tie in with an exhibition of the same title, held at the Kelvin Hall in Glasgow....
The wedding of Jock Lyon and Lorna Duncan at Greyfriars Church, Dumfries, February 23rd 1928.
Family home life.
Film sponsored by Esso following the Scottish Rally of 1976. The rally begins in Ayrshire and takes in the Highlands. Interviews with various drivers at the roadside and after each stage is completed...
A family holiday around Firth of Clyde and beyond on various boats. Includes a trip to Belfast and a trip 'Doon The Watter' on the Waverley.
Trip from Oban to Staffa and Iona, visiting the tourist sites. [Accompanied by voiceover and classical music]
Family home movies including footage of daily life around Glasgow city centre, the Barras market, the West End and the new Clyde Tunnel.
Olaf Fönss, Alma Hinding
Valdemar Psilander
Still from "Herrn Arnes Schatz"
Mary Johnson, Richard Lund
Mary Johnson, Richard Lund
Mauritz Stiller (on the left) on set
Still from "Ich gab Dich zum Pfande"
Still from "Ich gab Dich zum Pfande"
Daily production report on the shooting of "Was eine Frau im Frühling träumt", No. 1, 02 May 1958.
L. B., Berliner Filmneuheiten, Der Kinematograph, 667, (1919), S. 25-27. "Kaiser Wilhelms Glück und Ende" sei noch am Vortag der Uraufführung vom Innenministerium verboten worden. Der Film stelle ei...
[Lustbarkeitssteuer für Kinos], Der Kinematograph, 424, (1915), S. 35. Bericht über Beratungen zur Lustbarkeitssteuerverordnung der Stadt Essen. Grund sei die hohe Zunahme der Zahl der Kinobesitzer ...
Hansen, Fritz. "Photographien als Reklamebilder für Kinotheater" Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 40-42. Hinweise auf das bestehende Urheberrecht in ...
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...