On board of a German battleship.
A report about the celebrations for the thirtieth wedding anniversary of the Van den Bergh family.
Short reportage about seaplanes, stationed on an aircraft carrier. On the ship the seaplanes are repaired and getting ready. The seaplane is being lifted on board and takes off. Subsequently aerial sh...
Short comedy about two neighbour children from different social environments, Fritz en Mädi, during the First World War. They are bragging about their fathers who are returning from the war, and play...
Reportage about a group of soldiers on expedition in a snowy mountain landscape.
Short film in which Barbara's father is killed during a raid of the Vandals. When Barbara and the other women are threatened, she throws a box with explosives to the attackers, which causes their deat...
Comedy in which two friends, who are both lieutenants, try to find favour with Fifi, who owns a fashion boutique in a garrison town. The two friends, who are both married to a daughter of the general,...
Reportage about Austrian war ships and submarines. Images of life on board of the ship 'Tegetthof', navigation (with log and sextant), signals with flags, a torpedo boat flottilla at full speed and t...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...