Civili e militari in piazza (a Budapest?), un'auto carica di soldati esultanti percorre le vie della città. Riprese del presidente dimissionario Mihály Károlyi per strada. In piazza il nuovo ...
Images of Fiume (today Rijeka, Croatia) during the celebration of the city’s transfer to Italy at the end of the First World War. It begins with views of the city from the sea and of the port ...
Immagini della prima guerra mondiale. Si tratta di una collazione di materiali eterogenei: italiani per la prima parte (attribuibili a Luca Comerio), e austriaci per la seconda. La prima parte m...
Prima guerra mondiale: soldati in marcia attraversano un'anonima via di un paese.
This film (originally 1,537 meters) was previously considered completely lost, until the discovery of this 345-meters fragment in the Filmoteca de Valencia. It affords a rare opportunity to obse...
Film restored in collaboration with Cinémathèque Suisse.
The making of patriotic films was not rare among FAI productions, and "Il bacio della gloria" is one example, together with "Armi e amori" (1913) and "Per la Patria!" (1915). “In the Speech fr...
Barbarians outside: yesterday as today. Who have centuries of civilization gone by for? Not even appearance has altered the Norman in his barbarism. This great work from the Ambrosio hotbed admi...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
O. Verf.. „Preußischer Ministerialerlaß über das Plakat- und Reklamewesen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 5 (1913/1914): 111-112. Filmplakate bedürfen de...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 413, (1914), S. 18-20. "Deutsche Helden" wird als Film mit ergreifender Handlung und gut nachgestellten Kampfszenen bezeichnet, der seiner Wir...
O. Verf.. „Polizeiverordnung für das Rheinland.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 72-73. Meldung über den Einsatz von Filmen als illustrieren...