01 – Numero speciale. Le nostre inchieste ( Milano, 14-16/04/1969) Inaugurazione della 47° edizione della Fiera di Milano. Il presidente Saragat, con la scorta in motocicletta, giunge su una ...
Film documenting a tortuous series of cavalry exercises. It includes a harrowing sequence of horses descending steep hills and cliffs and jumping into the water. Film restored in collaboration w...
1892 - 1972: ottant'anni di storia del Partito Socialista Italiano, attraverso un percorso, costruito attraverso immagini di repertorio, che narra i cambiamenti della società italiana, gli even...
Giuseppe Garibaldi was in America when he met and married Anita Ribeira. In 1848 Garibaldi decided to go back to Italy where war was imminent, and Anita followed him. In the fighting at Vascello...
01 – Cronaca (Roma, 22/10/1970) Esterni del Palazzo della Civiltà del Lavoro all'Eur; al suo interno si svolge la cerimonia di conferimento delle insegne ai nuovi cavalieri del lavoro. Il min...
Film restored in collaboration with Cinémathèque Suisse.
Agenore Pacifici è un vero enfant terrible. È la disperazione della sua famiglia che non ha mai potuto e saputo rendere tranquillo l’irrequieto fanciullo che ha preso specialmente di mira il...
Pittoresche immagini della Alpi Carniche: vallate, viadotti, un ponte attraversato da un treno, mucche al pascolo. Oltre al paesaggio, uomini al lavoro: un vecchio spaccalegna, un falegname che ...
Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...
Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...
Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...
Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...
Rolf Randolf Film, Der Doppelmord in Sarajewo, Der Kinematograph, 670, (1919), S. 3?.
Marcell Lyon, Die Zukunft des militärischen Films, Der Kinematograph, 638, (1919), S. 7-?. Erörterung der derzeitigen Lage des Bild-und Filmamtes, das vom Arbeiter-und Soldatenrat noch immer besetzt...
W.R.. „Historische Filme.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 86. Der Rezensent führt den Film als Beispiel dafür an, dass die Filmindustrie mi...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...
Traugott Schalcher, Die neue Generation, Das Lichtbildtheater, 6.Jg, Nr.22, (1914). Der Artikel berichtet von der Selbstverständlichkeit, mit der das Kino als Medium in der jungen Generation angenomm...
Rennert, Malwine. „Im Reich der Mütter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 267-269. Rennert führt das Versagen des Kinos als Erziehungsmitt...