(Reel 1) King George V and General Sir Herbert Plumer, commanding Second Army to which the two divisions were attached, are greeted by 30th (Old Hickory) Division commander, Major-General Edward M Lew...
The film is partially completed, and shows some signs of proper editing, but scenes may break off abruptly in one reel and resume in another reel. Throughout the film numerous reporters, press photogr...
The footage, filmed on May 30, 1915, records a WWI intercession procession before the Inner City Parish Church, the Basilica, and the Parliament. The creators of the film concentrated on the famous pe...
The daughter of the farmer András Balogh, Juli, is confused by the sight of a circus, she leaves her native village secretly and enters into an engagement with the dance master at a night club in the...
(Reel 1) The film opens with unrelated scenes of the Western Front, mainly the Marne and Château-Thierry areas. Then Theodore Roosevelt beside the grave of his son Quentin. Behind-the-lines scenes of...
The film emphasises the pre-war uniqueness of Britain, rich, insular, with a strong trading position and a free democracy united under the constitutional monarchy. The only pre-war violence comes in t...
(Reel 1) Training the New Army - "cheery non-slackers" undergo PT, drill and bayonet practice, mounting and sabre drill for cavalry. (Reel 2) Manufacture of a 15-inch naval gun and firing trials. (Ree...
The wife of Lőrinc Gáthy (Mr. Wickfield in the Croatian version) dies in childbirth. A female relative offers to take care of the motherless child and the household, but Gáthy declines the offer be...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Walter Weise, Filmkunst und Publikum, Der Kinematograph, 683, (1920), S. 21-22. Die beiden rezensierten Filme seien ein absoluter Publikumserfolg und sogar in der Lage, eingefleischte Kinogegner zu ü...
Urteil in Sachen des Ferdinand Bonnschen "Kaiserfilms", Der Kinematograph, 684, (1920), S. 19. Meldung, dass im Prozess gegen Ferdinand Bonn das Urteil gefallen sei, alle Exemplare des Films "Kaiser W...
Hellwig, Albert. "Zur Reform der Filmzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 56-58. Gerichtsassessor A.H. erklärt das mögliche Zustandekommen e...
Thielemann, W.. "Kinematographie und biologische Forschung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 171-172. Bericht über den Einsatz von Filmkameras zur E...
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)