I. A posed group of crews and mechanics of 94th 'Hat in the Ring' Pursuit Squadron at 1st Pursuit Group airfield, Rembercourt, 18th October. Left to right 1st Lieutenant Edward V Rickenbacker, Major K...
(Reel 1) Text of Admiral Beatty's message to the Empire. Beatty's flag (Vice-Admiral's) is broken out, and the Grand Fleet puts to sea: US battleships of 6th Battle Squadron in line astern; medium sho...
I. Aerial medium shot of HMS Satyr (F.59) underway. Two surrendered U-boats pass beneath camera-airship, followed by Scott Class Leader, UC.III and U.160 Class (?) submarines. Medium shot, HMS Melampu...
(Reel 1) The film stresses that it shows normal RAF life and has not deliberately selected its scenes. It begins with a training camp for pilots in France. New pilots arrive and are brought from the s...
The squadron's tour takes in the principal ports of the Empire. At each port the ships of the squadron are thrown open to the locals. Vice-Admiral Sir Frederick L Field has his flag on board HMS Hood....
Large scale police raids on smugglers on the Budapest-Vienna railway line, on ships sailing the Danube, and along the nation’s border. "The film, made using official equipment, shows the exciting pu...
Documentary about Albert I, King of Belgium.
(Reel 1) Men board troopships, including SS Leviathan, in New York harbour. On the crossing there are sports, a dance, and jive by black troops. A submarine attack is repelled by destroyers. The men d...
Mother of Jiří Voldán (actress: Marie Ptáková) between two policemen in uniforms. Behind her stands secret policeman.
A group of civilians and policemen. In the middle stands infantryman Kubík (actor: Václav Kubásek) on suit. Next to Kubík stands a woman on skirt and shawl.
Medium close-up of Nurse Mathilde (actress: Adina Mandlová), Lieutenant Rjepkin (actor: Vladimír Borský) in uniform, and his wife Lída (actress: Marie Rosůlková). The women are looking at each o...
Panorama of the city of Brno (one of the film's settings) with the cathedral of Saints Peter and Paul on the horizon.
Panorama of the city of Brno (one of the film's settings) with a railway station in the foreground and the top of Špilberk castle on the horizon. The cathedral of Saints Peter and Paul protrudes up o...
View of a doctor's office. Dr. Šrámek (actor: František Smolík) sits at a desk and Dr. Klíma (actor: Karel Veverka) sits opposite him with the newspaper Národní politika in his hand. On the des...
Wide shot of a standing train occupied by Russian officers and regular soldiers. A group of Austrian soldiers stands in front of the train. Several of them are wearing armbands of the Red Cross.
Medium shot of an operating room. Dr. Šrámek (actor: František Smolík) stands on the left with a syringe in his hand. Next to him are Dr. Klíma (actor: Karel Veverka) and Nurse Tonička (actress:...
Die grosse Wette. Ein phantastisches Erlebnis aus dem Jahre 2000, Der Kinematograph, 476, (1916), S. 17.
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Scala-Film-Verleih GmbH, Der Hetman der Ukraine, Der Kinematograph, 581, (1918), S. 18-19. Die Anzeige geht auf den Sieg gegen Russland ein und erwähnt das Interesse des Publikums an der Geschichte d...
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Ludwig Brauner, Die kommende Geschmackswandlung, Der Kinematograph, 593, (1918), S. 15-16. Erörterung des Publikumsgeschmacks. Gegenwärtig sei vor allem Ablenkung vom Kriegsalltag gefragt, jedoch li...