Hybrid film, including American film war propaganda footage, concerning the diplomatic relations between Germany and the United States during World War I following the case of Miss Cavell, a source of...
Hundred year anniversary of the Belgian revolution (which resulted in the independance of Belgium in 1830).
The Stock Exchange in London "closes its doors" in 1914 - a crowd is clustered around it. "Germany mobilises," a pre-war German training exercise with the troops in Prussian blue, not field grey: a 77...
The hospital ship is at anchor, with other vessels in the far distance. On the bridge a nurse, assisted by a sailor, is handling the wheel.Princess Alexandra Victoria of Schleswig-Holstein, wife of Pr...
I. Medium shot forward along portside of W Class destroyer to HMS Renown - a small boat spins past between the two ships. Medium long shot across fleet anchorage - Iron Duke Class battleships at frame...
(Reel 1) Material from various phases of the Somme offensive without regard for logical or chronological continuity. The film opens with the unloading of supply trains, and soldiers on the march to th...
I. Medium shot, closing on the starboard quarter of an Italian 19 ton, Type 'B' MAS underway at speed, and a passing shot of MAS flotilla steaming in line, the camera vessel proceeding on an opposite ...
Panning medium shot over HMS Walker at anchor with the Forth Bridge in background. Very grey long shot of Forth Bridge with destroyers directly astern of US battleships in the distance - one is Arkans...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...
Hermann Häfker, Kinematographie und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 1-3. Der Krieg sei der Sache der Kinoreform förderlich, weil die aus...
Waldner, Dagmar. "Kino und Wahlagitation." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 174. Bericht über den Einsatz des Films, um die Wähler über die Notwend...
Große Protest-Versammlung, Der Kinematograph, 678, (1920), S. 3. Aufruf zu einer Protestveranstaltung gegen die Verstaatlichung der Kinos.