The hospital ship is at anchor, with other vessels in the far distance. On the bridge a nurse, assisted by a sailor, is handling the wheel.Princess Alexandra Victoria of Schleswig-Holstein, wife of Pr...
I. Medium shot forward along portside of W Class destroyer to HMS Renown - a small boat spins past between the two ships. Medium long shot across fleet anchorage - Iron Duke Class battleships at frame...
(Reel 1) Material from various phases of the Somme offensive without regard for logical or chronological continuity. The film opens with the unloading of supply trains, and soldiers on the march to th...
I. Medium shot, closing on the starboard quarter of an Italian 19 ton, Type 'B' MAS underway at speed, and a passing shot of MAS flotilla steaming in line, the camera vessel proceeding on an opposite ...
Panning medium shot over HMS Walker at anchor with the Forth Bridge in background. Very grey long shot of Forth Bridge with destroyers directly astern of US battleships in the distance - one is Arkans...
I. (Reel 5) Impressionistic to the point of incoherence. Starting with troops disembarking at a harbour. Marching columns, some of them identified: the Devonshire Regiment, some Scots, the Bedfordshir...
The King arrives at Calais and meets various military and civilian dignitaries. He is taken to General Haig's château at Beauquesne where with Haig and the Prince of Wales he meets President Poincar...
The King, in Field Marshal's uniform and unaccompanied by other members of the Royal family, arrives at Calais on HMS Whirlwind on 5 August. Three days later he inspects British and US pilots of RAF 1...
Tomeš and his family in front of his cottage before moving to the front.
Publishing of the general mobilization.
Public announcement of the general mobilization. Next to the pedestal stand a policeman with bayonet, manservant with drum and some man holding the text of the general mobilization.
Three friends - from the left: Bárta (laborer), Janda (smith) and Tomeš (farmer).
A dialogue of the smith and laborer.
A hay wagon with straw and the farmer Tomeš with his son Jeníček.
Bárta (laborer) at work.
Castle Karlštejn and the village settlement around the castle.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...
News of the exhibition in Lisbon of a group of “war films” in a tribute to the allied nations.
FILMEN is the most important Danish film industry magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year).
Lynx. „Kritik.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 80-84. Erläutert die Absicht, künftig in der Zeitschrift Filmkritiken zu veröffentlichen so...
Rennert, Malwine. "Kino und Bühne. Von Willi Rath." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 46-47. Rennert lobt die neu erschienene Broschüre, stellt aber ...
Thielemann, Walter: „Kinematographie und Alkoholbekämpfung.“ Der Kinematograph, 391 (1914). Bericht darüber, dass das Kino dem Alkoholismus entgegenwirke.
O. Verf.. „Kinokommission des Westfälischen Landgemeindetages.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 5 (1913/1914): 108-111. Bericht über die Arbeit der Kinokommi...
Wie steht das Volk zum Kino ?, Das Lichtbildtheater, 6.Jg, Nr.5, (1914). Bericht über die erste soziologische Untersuchung des Kinowesens durch Emilie Altenloth. Ihrem Ergebniss, dass maßgeblich Men...