Report on the Red Cross hospitals in De Panne and Nieuwpoort during the First World War.
News footage filmed almost entirely by Ernest De Bock, a printer who ran the Gaumont cinema in Temse. He filmed local events, edited them and did the inter-titles. A second cameraman worked on the fil...
Chain of pictures and moving images about the origination of the annual Yser pilgrimage from 1920 to 1929.
Tribute to former mayor of Brussels: Adolphe Max.
Four individual newsitems. One item specifically focuses on World War I: the 60th anniversary of the Armistice is being commemorated in the presence of Prince Karel and mayor Jan Piers in Ostend. They...
Hybrid film, including American film war propaganda footage, concerning the diplomatic relations between Germany and the United States during World War I following the case of Miss Cavell, a source of...
Hundred year anniversary of the Belgian revolution (which resulted in the independance of Belgium in 1830).
The Stock Exchange in London "closes its doors" in 1914 - a crowd is clustered around it. "Germany mobilises," a pre-war German training exercise with the troops in Prussian blue, not field grey: a 77...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Stein, O. Th.. "Der Kinematograph als moderne Zeitung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 25-28. Stein beschreibt die Wochenschau in den Kinos als sch...
O. Verf.. „Kinotheaterwesen und deutscher Einfluss im östlichen Mittelmeer.“ Der Kinematograph 374 (1914). Obwohl es im Rahmen des Bagdadbahnprojekts zur verstärkten Gründung von Kinos durch de...
O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...
Die Schaffnerin der Linie 6. Ein neuzeitliches Lebensbild, Der Kinematograph, 464, (1915), S. 17-19. Werbung für einen Film, der die kriegsbedingte zunehmende Beschäftigung von Frauen in der Öffent...
Emscher, Horst: „Der Krieg und die deutsche Filmindustrie.“ Der Kinematograph 404 (1914): 5-6. Erörterung der wirtschaftlichen Lage der deutschen Filmindustrie. Entgegnet dem Vorwurf, dass die Be...
Sellmann, Adolf. "Neue Lehrhafte Filme (Von Mitte August bis Anfang Oktober)", Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 20-22. A.S. stellt die neuesten Lehrf...