Alpine paratrooper training.
At the end of the Second World War politicians including Alcide De Gasperi, Jean Monnet, Paul Henri Spaak, Robert Schumann, Konrad Adenauer fought a tough battle for European unity. The end of c...
Bassano (province of Vicenza, Veneto) is a small city famous for its bridge, alpine soldiers, grappa and Monte Grappa. It is an architectural gem: towers, palaces, frescoes, streets with old-fas...
01 – Incontri Al Centro Sperimentale di Cinematografia di Roma si tiene un convegno dal titolo “Il lungo sonno del cortometraggio italiano” in cui vengono approfondite le problematiche leg...
A documentary about the life of the Alpine troops during winter: competitions on the snow have a military character. There are downhill, cross-country and relay races in addition to the sled eve...
Film restored in collaboration with Fondazione Cineteca Italiana.
The life and work of the great actor Ettore Petrolini.
An investigation of Africans who have permanently settled in Italy: an Afro-Italian who participated as a lieutenant colonel in the first Italian invasion of Africa; an Ethiopian marshal who liv...
Still with Alice Verden
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.