Alpine paratrooper training.
At the end of the Second World War politicians including Alcide De Gasperi, Jean Monnet, Paul Henri Spaak, Robert Schumann, Konrad Adenauer fought a tough battle for European unity. The end of c...
Bassano (province of Vicenza, Veneto) is a small city famous for its bridge, alpine soldiers, grappa and Monte Grappa. It is an architectural gem: towers, palaces, frescoes, streets with old-fas...
01 – Incontri Al Centro Sperimentale di Cinematografia di Roma si tiene un convegno dal titolo “Il lungo sonno del cortometraggio italiano” in cui vengono approfondite le problematiche leg...
A documentary about the life of the Alpine troops during winter: competitions on the snow have a military character. There are downhill, cross-country and relay races in addition to the sled eve...
Film restored in collaboration with Fondazione Cineteca Italiana.
The life and work of the great actor Ettore Petrolini.
An investigation of Africans who have permanently settled in Italy: an Afro-Italian who participated as a lieutenant colonel in the first Italian invasion of Africa; an Ethiopian marshal who liv...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...