(Reel 1) Wounded soldiers with mule transport, snow-covered mountains filmed from an aircraft (Mount Olympus ?). A 13-pounder anti-aircraft gun showing the rangefinder in use. A British Army camp, wit...
I. 'THE QUEENSLAND CONTINGENT: The Prime Minister of Queensland and Brigadier General Sellheim inspect the statue which is to be erected in Brisbane, in memory of Queenslanders who fell in the South A...
I. 'FORT OF TUZLA View of one of the fort's big guns with British signallers at work'. HA to rear of shielded coastal gun - a sentry guards the emplacement. MS to a sentry positioned in front of the p...
I. 'PREPARATIONS FOR ALEXANDRA DAY. Scenes at the Crippleage where the inmates are making roses for Queen Alexandra's Rose Day.' CUs of women at work - a press crimps the blanks, posies are stuck and ...
I. 'WATER PUSHBALL. American swimmers enjoying a game of water-pushball at Coney Island.' Swimmers push about a large inflated ball. Three women row about in tubs. Men in canoes engage in a scrimmage,...
I. '1ST LONDON DIVISION SPORTS. Bomb throwing competition and Military Obstacle Race'. Men stand in a short length of mock trench and throw 'bombs' - officers and others look on. Camera in front of tr...
I. 'ZEPPELIN CREW'S BURIAL The charred remains of the Germans who set out to hurl death amongst defenceless women and children, being conveyed on an Army transport waggon'. RFC officers and men carry ...
I. 'BATTLE OF OURCQ. The inhabitants of Meaux, celebrate the 2nd anniversary of the Battle of Ourcq, which resulted in the Germans being held at the Marne'. HA.LS over crowd filing through walled grav...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...