Indian soldiers resting after a march. An Indian water-truck column refilling their trucks from a river using hosepipes and pumps. The construction of a sandbag observation tower, and British troops o...
British "Territorials" in winter clothes march along a road in Mesopotamia, followed by a unit of cyclists. Indian soldiers marching. A 1-pounder Vickers anti-aircraft gun on a rail flatcar at Kahm Ba...
A column of Ford light trucks carrying "supplies". (Compare with the same scene in IWM 68). Men of the Gurkha Rifles moving through an RFA park. Soldiers of 2nd Battalion, the Norfolk Regiment, wading...
Basra, showing 'The Strand', followed by people in the bazaar and by light canoes, 'ballams', on the river (both scenes probably acted). Genuine film of troops in barges being towed upriver by paddle ...
First, the seaplane carrier. A Short 184 seaplane is lifted from a seaplane carrier into the water and takes off. On return it is hoisted on board again. Then the launch from a capital ship. A Beardmo...
I. Sopwith 1-1/2 Strutter is flown off starboard echelon turret of an Indefatigable Class battle cruiser - an Invincible Class ship is visible in the background as the aircraft circles. After the laun...
(Reel 1) The troopship SS Barpeta brings a fresh contingent for the squadron into Karachi harbour. The men travel by train on to Ambala, where they get their first real view of India, including a hook...
(Reel 1) General Paraskevopoulos directs his country's forces in the River Struma valley, which includes the Rupel Pass, supported by fire from British 6-inch howitzers and French 155mm howitzers. The...
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...