Mr Hughes's train arrives at Paddington Station and he gets out, shaking hands with an honour guard of Australian troops. He meets and poses with Mrs Emmeline Pankhurst and her daughter Christabel.
The King, in naval uniform, and the Queen visit the barracks to pay tribute to the sailors and marines involved. The Queen goes inside a hospital ward to talk with one of the patients. The royal party...
Balfour talks with the local vicar, then the two go with a procession to the church graveyard. The monument has doors in the form of a triptych which Balfour opens.The Queen arrives with Princess Mary...
People surge together through the streets of central London, waving Union Jacks and cheering. Charabancs and lorries pass up the Strand, their occupants also cheering. The crowd marches up the Mall to...
The horse-drawn hearse leads a crowd of mourners, mostly civilian. The coffin is taken into the church grounds for burial.Robey, wearing the uniform of an Army lieutenant, acts as auctioneer for a shi...
Gompers, President of the American Workers' Federation, and Hughes, Prime Minister of Australia, enter the hall where the congress is taking place, along with the delegates. Hughes poses beside women ...
French walks around the gardens of the castle shaking hands with people at the fête. Beside him is his aide, Lieutenant-Colonel Fitzgerald ('Fitz') Watt. The fête includes a display of horse jumping...
The camera, blocked by the crowd, shows only long shots and the view of the crowd from the speakers' platform, rather than the speakers themselves.The bales of hay are stacked over a considerable area...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Hermann Häfker, Kinematographie und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 1-3. Der Krieg sei der Sache der Kinoreform förderlich, weil die aus...
Waldner, Dagmar. "Kino und Wahlagitation." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 174. Bericht über den Einsatz des Films, um die Wähler über die Notwend...
Große Protest-Versammlung, Der Kinematograph, 678, (1920), S. 3. Aufruf zu einer Protestveranstaltung gegen die Verstaatlichung der Kinos.
Kurbelmann im Kriegsdienst, Der Kinematograph, 436, (1915), S. 21-24. Aus der Wiener Arbeiter-Zeitung zitierter Bericht über die Erlebnisse eines Kriegsfilmers.
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...