The handful of Turks come in from the desert and walk past a British 4.5-inch howitzer. Camels and wagons carry other prisoners across a river. A large group of the prisoners is collected together.Nur...
The open carriage with the King and Queen leaves the Mansion House with a military escort. The King is in Army uniform. The coach drives to the steps of Saint Paul's Cathedral where an honour guard pr...
There is a large crowd with a number of policemen, milling about and uncertain. The captions say they are ignoring pacifist speeches, but this is not obvious.US Navy sailors enter one horse-drawn char...
A pan over the city from across the river, followed by close-ups of the cathedral showing shell damage. According to the caption the cathedral was "spitefully shelled" by the Germans after their "defe...
The Prince is met at Dover harbour by Prince Arthur of Connaught. The two men walk down the gangplank of Prince Yorihito's ship together and salute the flags of their nations. Next, a brief, indistinc...
The film starts with a scene meant to be of the mole at Zeebrugge in 1914 (in fact showing a British Caledon Class cruiser in 1917 or 1918 at another location). The mole after the British occupation o...
The captions state that the men were attacked and set adrift by a U-boat. A pan over a posed group of the men, now back on shore in a small harbour. Some of them board the small fishing boat N232, rid...
The film starts with a declaration that the war was forced upon Britain by "Germany's sinister designs". It shows John French reviewing troops (possibly as Viceroy in Ireland in 1918, but intended as ...
Medium shot of nurses Tonička (actress: Truda Grosslichtová) and Mathilde (actress: Adina Mandlová) standing by a table in a room. Mathilde has a paletot over her shoulders and is staring fixedly s...
Medium close-up of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and the cadet Severa (actor: Stanislav Strnad), who is lying on a hospital bed.
Medium close-up of Nurse Tonička (Truda Grosslichtová) and Corporal Bartoněk (Jiří Vondrovič) standing in a corridor. They are smiling at one another and she is touching his bandaged hand.
Medium shot of an Austrian officer and Nurse Mathilde (actress: Adina Mandlová) looking at each other. The man is smoking a cigarette. Another soldier is visible behind them. In the left background i...
Several Austrian soldiers are moving about in front of a standing train. Several of the soldiers are carrying cargo. Other soldiers are looking out of the windows and open doors of the train.
Medium shot of Toman's wife Lída (actress: Marie Rosůlková), his son Vláďa (actor: Zdeněk Záhorský), and Dr, Šrámek (actor: František Smolík), who is shaking Vláďa's hand. Vláďa is wea...
Medium shot of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and nurse Mathilde (actress: Adina Mandlová).
Medium close-up of Rjepkin (actor: Vladimír Borský) sleeping on a bed and First Lieutenant Liška (actor: František Kreuzmann) in pyjamas leaning over him.
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...
O. Verf.. „Kino und Kirche.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 73-74. Beschlüsse der Fuldaer Bischofskonferenz von 20.8.1913. Schulpflichtigen ...
Dr. Hellwig. "Plakatwesen in Bayern." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Das Anbringen von Filmplakaten sei ohne polizeiliche Genehmigung noch imme...
Kriegsabenteuer eines Kino-Operateurs, Der Kinematograph, 437, (1915), S. 14-15. Erlebnisbericht des Müncher Kameramanns Martin Kopp von seinen Erlebnissen als Kriegsberichterstatter.
P.l., Kinematographische Kriegsberichterstattung, Erste Internationale Filmzeitung, 9.Jg.,Nr.22, (1915), S. 27. Die filmischen Kriegsneuheiten seien anfangs sehr begeistert aufgenommen worden, würden...