Bringing food from overseas - aerial views of a convoy, escorting cruiser USS Birmingham, and an Astre-Torres type SS airship. Unloading supplies - grain ships discharge cargo into barges. India Line ...
Some of the film comes directly, including the captions, from IWM 17 NEW CRUSADERS. Most of the segments are of only a few seconds' duration. Most of the film is of ancient ruins like Babylon and Baal...
I. (Reel 1) Mainly unrelated scenes. A British 6-inch 26cwt (?) howitzer. Turkish prisoners being searched by British troops. A dressing station with Indian orderlies, a motor ambulance and a doctor p...
The cadets are encamped near the town. They form on their grassy 'parade ground'. They march past Major-General F C Heath-Caldwell, commanding South Eastern Area of the RAF. The film jumps to their at...
The material was mainly used in the WITH THE FORCES IN MESOPOTAMIA series. It opens with two Holt tractors of 13th Indian Division hauling a 6-inch 30cwt (?) howitzer across the Narim River at Narim K...
A Short 184 some distance away from the camera comes in to land, then takes off. A PV5 seaplane taxies through the harbour, increasing speed to keep ahead of the camera boat. A Short 184 taxies around...
(Reel 1) The crew of airship SSZ28 prepares for a flight. As they wait, seated in the open gondola, they are handed a basket of carrier pigeons, the pilot is given his charts and orders, and an armour...
I (Reel 1) The opening is filmed from the river. First, Ezra's Tomb, a landmark at Qurna, about 200 km down river from Kut, followed by Qurna itself. The boat continues downstream, passing several sma...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.