The main square of the city, soon after its liberation showing civilians milling about but no real celebrations. Some British troops, probably 57th (West Lancashire) Division, are present, eventually ...
The banks of the Neuville Canal, near Rheims, are lined with damaged houses. The glass factory at Neuvillette is reduced to rubble and a few walls. Old German dugouts and fortifications cover the area...
High-angle view onto detachment of Royal Marines drawn up on quayside - they march off, arms shouldered. Detachment passes camera, now situated in a park. Medium shot as Royal Naval Air Service person...
"U-boat's commander" (actually RN) takes bearings before submerging. Medium shot of periscope cutting the water as the U-boat approaches its "helpless victim". Merchantman sights U-boat (now surfaced)...
(Reel 1) The film starts with U-35 casting off at Cattaro (not Trieste as given) and passing the Austrian fleet at anchor. The crew of the captured SS Parkgate row to U-35 which the English captain bo...
I. Medium close-up of Pershing and Foch at Foch's HQ. Medium shot along a line of Sopwith 1F.1 Camels of No 4 Australian Flying Corps Squadron - aircraft taxi out of the line ready to take off.II. Hig...
Drifters take on provisions from depot vessel. Commander Lyne at work in his office. Drifters leave port - medium close-up of minesweeping drifter Drummer Boy, (GY.964). ML.18 approaches, and Commande...
Probably offcuts from IWM 61 WITH THE FORCES IN MESOPOTAMIA. (Reel 1) Camouflaged 60-pounder guns firing dug in. A gunner observing from a perch, possibly close to Ramadi. Indian troops unload sacks f...
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...