I. French newsreel item of General Henrys, commanding French forces, arriving by Breguet Type 14 aircraft to visit his men on the Salonika Front, April 1918.II. French newsreel item of motor-cultivato...
The item shows normal life continuing in Paris. The markets trading in the open, uncongested and normal traffic flowing in the Place de l'Opéra, and people walking through the parks and boulevards an...
The standards, donated by the people of Paris, are presented in a formal ceremony, in the open and in very windy conditions. After the presentation and marchpast one of the standards is displayed for ...
Austrian prisoners captured by the French are marched back to their prisoner of war camp. After waiting outside their huts they queue for food. French forces on the Italian Front are visited by the Ki...
The Tardenois offensive, starts with the bombardment of Chassins (?). Oulchy-la-Ville and Oulchy-le-Château, captured virtually undamaged by 41st Division. British soldiers of 34th Division rest by a...
I. Bligny village and Mont Bligny near Rheims shows shell damage. General Berthelot reviews troops of British XXII Corps under Lieutenant-General Sir Alexander Godley. These include what appear to be ...
Men of US 2nd Division move into Thiaucourt along with their transport. The interior of the town church is badly damaged and the roof destroyed. A pan from Mount Sec, with four American soldiers in th...
The town centre of Vigneulles, showing damage but cleared up, probably 13th September. Pan over Viéville-sous-les-Côtes, which is close to Hattonchâtel. German 105mm and 155mm howitzers taken at Vi...
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...