The general meets the Polish officers. He joins in a mass with the Legion, inspects the soldiers, talks to a few of them and presents decorations to members of the Legion who still survive from Bayonn...
A procession of Chasseurs, led by priests and choirboys, makes a pilgrimage to a cemetery near the battle zone, where, as the civilian congregation watches, a monument is dedicated "To Our Dead".The s...
Before leaving from Port Said, Colonel Brémond, the head of the French mission to the Hejaz forces, is made a Commander of the Legion of Honour by General Bailloud, the chief of the French contingent...
French soldiers in one of the villages on Lake Garda wander around admiring the view. One addresses a letter he has been writing, others groom their horses, others buy food from the street vendors. Be...
The marines, part of the Japanese destroyer flotilla assisting in anti-submarine patrols in the Mediterranean, are rowed ashore from their ship. There are a number of cargo vessels at anchor but no wa...
General Guillaumat, commanding the Army of the Orient, visits an airfield to talk with some of the pilots. The local Orthodox ceremony for Epiphany at a fishing village. The people have crowded into s...
I. Men of Sixth Army board a troop train at a station. Others march along roads to the battlefield, between Noyon and Amiens. Conditions are very foggy. Soldiers rest as a horsed transport column pass...
A 145mm naval gun is stuck in soft ground despite all efforts to pull it clear with ropes. Finally sledges are fitted to the wheels and it is dragged clear. A squadron of Nieuport 28s parked on an air...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...