The soldiers prepare wood-and-earth shelters for themselves and their horses for the forthcoming winter in Russian Poland. At "Chassina" (presumably in Poland) the town is a smoking ruin an hour after...
A German 420mm railway gun captured by the Australians in the Battle of Chipilly Ridge. Four Americans "of a famous division" with the fourteen German prisoners they took in the Argonne. A German 210m...
An old soldier chats to an elderly woman refugee who has returned home and is using stones and rubble to repair her house. More refugees return by horse and cart. One couple begins to weed a garden, a...
A passenger ship brings the Russian contingent to the Piraeus, the port of Athens. French (or Russian ?) soldiers wearing sun helmets start their march from the Piraeus to Athens, establishing posts o...
The Prince visits the Serbian troops in their mountain positions. He dismounts from his horse, talks with his officers and looks out over the position with binoculars before riding away.Soldiers move ...
The Governor, who is ex-Minister of War, has an escort of lancers. The Sultan's Guard of zouaves, guns and lancers marches past, led by its French officers.The recently-captured Hurtebise plateau in t...
The hospital is a temporary affair of Nissen huts. The Queen and General Anthoine walk with their escort down a path between two huts and enter one of the wards.The village of Esnes has been reduced t...
Machado with President Poincaré at Verdun inspects the troops, and presents the Mayor of Verdun with the Order of the Tower and the Sword. The two presidents enter through the defences of the city an...
Alice Verden
Still with Lyda Salmonova
Szene aus "Westfront 1918"
Paul Wegener
Erich Ponto, Alice Verden
Szene aus "Der rote Baron"
Adolf Klein (on the left), Henny Porten, Theodor Loos, Olga Engl (sitting, from left to right)
Szene aus "Aus dem Buche des Lebens"
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 586, (1918), S. 28ff. Besprochen werden gleich zwei Propagandafilme zur achten Kriegsanleihe. "Lloyd George in Berlin" wird als äußer...
Messter Film GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 557, (1917), S. 3.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 473, (1916), S. 17-20. Bericht über Neuerscheinungen auf dem Filmmarkt. Bei zwei der behandelten Filme handelt es sich um Krimis, vier Komöd...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 581, (1918), S. 28-29. "Edelsteine" wird als erstes besprochen und als psychologisch tiefgründiges Werk bezeichnet. An dritter Stelle ...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Propaganda-Filme, Der Kinematograph, 571, (1917), S. 19-20. Deutsche Propagandafilme seien noch immer den feindlichen unterlegen. Man müsse zu denselben Waffen greifen, wie es die Feinde tun und die ...