Branting is in civilian clothes without shrapnel helmet or gasmask satchel, clearly in a safe part of the area. He is escorted by a Scottish officer. Near Vimy he talks to a British sentry and two Fre...
6th Battalion, the Black Watch of 51st (Highland) Division collecting the men's packs between the Bois de Reims and St-Imoges, having just come out of line on 24 July. 1/5th Battalion, the Devonshire ...
A column of RFA limbers reloads from a dump of 18-pounder shells beside a track before moving forward (possibly near Harlincourt ?). A group of soldiers, possibly Royal Scots Fusiliers, walks in loose...
The visit was organised by the Birmingham and District Professions and General Trades Fund for the Wounded. Outside Queen's College, Birmingham, Major-General Higgins (?) inspects the Americans who pa...
III. A study of the inhabitants as they pick almonds, including a lady "of low caste" (according to the shotsheet) a girl and a veiled lady of high caste. It is not clear whether these are Jewish or M...
Headquarters rear echelon troops of Australian 1st and 2nd Divisions wait at a rail depot in bush hats and full equipment. The same men embark on a train at another place, filmed from on top of the tr...
A British military band escorts the Italians through the streets of Blackpool as civilians watch. In various scenes the Italians wear either undress uniforms with cloaks or their highly ornate full dr...
The King (in Field Marshal's uniform) with the Prince of Wales, General Sir William Birdwood and other officers inspects graves, including that of General Maxwell, on the Ypres ridges on 8th December....
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
Scala-Film-Verleih GmbH, Der Hetman der Ukraine, Der Kinematograph, 581, (1918), S. 18-19. Die Anzeige geht auf den Sieg gegen Russland ein und erwähnt das Interesse des Publikums an der Geschichte d...
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...