I. Views of the honour guard at the Jaffa Gate, composed of English, Welsh, Scottish, Indian, Australian and New Zealand troops, with twenty soldiers each from Italy and France continuing the line ins...
I. (Reel 1) Winter training for British troops. Infantry guns and Highlanders move in columns along the roads up to the snow covered trenches. Hot soup is brought to troops in the trenches. A dawn 'st...
I. (Reel 1) The Lincolnshire Regiment clear a road lined with damaged trees. Nine men of the Royal Munster Fusiliers cross a damaged bridge over the Somme. A column of the Loyal North Lancashire Regim...
A Nieuport 27c Scout of 60 Fighter Squadron, badly damaged outside a hangar, with mechanics removing a damaged wing. Three men working in a mobile repair shop (see the same scene in IWM 118 THE EYES O...
2nd Battalion, King's Own Scottish Borderers of 5th Division, including four bagpipers, detraining and resting at Legnano, 20 December 1917. 1st Battalion, the Bedfordshire Regiment (?) of 5th Divisio...
(Reel 1) Australian 2nd Division at outdoor physical training and Swedish drill, followed by bayonet training and Lewis machine gun practice, probably in 'W' training area, Bouvelinghem, August 1917. ...
The opening scenes show New Zealand Field Artillery horses being watered at a river and fed at horse lines. This is followed by a scene of a gunner officer emerging from a sandbagged command post and ...
British and French troops camped in woods, with one man being shaved, probably close to Boves. French soldiers drive two abandoned cows in past British 18-pounders. A French armoured car of II Cavalry...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Stern-Film, Alkohol, Lichtbildbühne, 49, (1918), S. 69.
O. Verf.. „Der Mangel an Aktualitäten.“ Der Kinematograph 400 (1914): 3-4. Artikel, der den Mangel an aktuellen Aufnahmen aus dem Krieg beklagt. Der Krieg sei die richtige Gelegenheit für die Pr...
Elster, Alexander. "Kinogewerbe und Kinokunst." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 172-173. Die wirtschaftliche Lage des Kinogewerbes verhindere eine kÃ...
Die Verfilmung von Königlichen Lazarettbesuchen in der "Eiko-Woche", Der Kinematograph, 441, (1915), S. 10. Bericht über die Absicht de Eiko-Woche, nicht nur Kämpfe zu filmen, sondern auch das mili...
Das neue Filmzensurgesetz, Der Kinematograph, 692/93, (1920), S. 15-17. Bericht über das am 15.4.1920 erlassene Filmzensurgesetz. Das Erlassen des Gesetzes bedeute einen schwarzen Tag für die deutsc...
Englische Beobachtungen im Berliner Kino, Der Kinematograph, 421, (1915), S. 27. Bericht, der aus der Londoner "Daily Mail" zitiert wird und die Eindrücke eines englischen Reporters von einer Wochens...