I. Views of the honour guard at the Jaffa Gate, composed of English, Welsh, Scottish, Indian, Australian and New Zealand troops, with twenty soldiers each from Italy and France continuing the line ins...
I. (Reel 1) Winter training for British troops. Infantry guns and Highlanders move in columns along the roads up to the snow covered trenches. Hot soup is brought to troops in the trenches. A dawn 'st...
I. (Reel 1) The Lincolnshire Regiment clear a road lined with damaged trees. Nine men of the Royal Munster Fusiliers cross a damaged bridge over the Somme. A column of the Loyal North Lancashire Regim...
A Nieuport 27c Scout of 60 Fighter Squadron, badly damaged outside a hangar, with mechanics removing a damaged wing. Three men working in a mobile repair shop (see the same scene in IWM 118 THE EYES O...
2nd Battalion, King's Own Scottish Borderers of 5th Division, including four bagpipers, detraining and resting at Legnano, 20 December 1917. 1st Battalion, the Bedfordshire Regiment (?) of 5th Divisio...
(Reel 1) Australian 2nd Division at outdoor physical training and Swedish drill, followed by bayonet training and Lewis machine gun practice, probably in 'W' training area, Bouvelinghem, August 1917. ...
The opening scenes show New Zealand Field Artillery horses being watered at a river and fed at horse lines. This is followed by a scene of a gunner officer emerging from a sandbagged command post and ...
British and French troops camped in woods, with one man being shaved, probably close to Boves. French soldiers drive two abandoned cows in past British 18-pounders. A French armoured car of II Cavalry...
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
American soldiers sent to France march with the American flags in the streets of Paris.
A soldier with cannon in a trench during the battle of Terron.
Die grosse Wette. Ein phantastisches Erlebnis aus dem Jahre 2000, Der Kinematograph, 476, (1916), S. 17.
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Scala-Film-Verleih GmbH, Der Hetman der Ukraine, Der Kinematograph, 581, (1918), S. 18-19. Die Anzeige geht auf den Sieg gegen Russland ein und erwähnt das Interesse des Publikums an der Geschichte d...
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Ludwig Brauner, Die kommende Geschmackswandlung, Der Kinematograph, 593, (1918), S. 15-16. Erörterung des Publikumsgeschmacks. Gegenwärtig sei vor allem Ablenkung vom Kriegsalltag gefragt, jedoch li...