A Bristol Fighter of 4 Squadron RAF spots two 'enemy' Whippet tanks taking up position to halt the advance of 1st (Guards) Brigade, 1st Division. Oblivious of this, the Guards move towards their objec...
Four officers round a planning table decide on the offensive. A regimental colonel receives his orders outside his dugout. The bombardment starts, from rifle grenades, 58mm Crapouillot mortars, 105mm ...
Anzac Beach in July 1915 (not "May, a month after the landing". See Notes - Summary). Men of the ANZAC Corps help build Watson's Pier. Further up the beach, caves and shelters have been dug into the h...
The inmates are all women, at least some permanently invalided. They work at tables with paints and paper making the flowers.Columns of Austro-Hungarian prisoners of war march, escorted by Russian hor...
First, the arrival by car and carriage of the various mourners at the west door of Sankt Stefan's Cathedral. Recognisable among the dignitaries arriving are Archduke Joseph, Archduke Friedrich, Archdu...
Soldiers start digging a trench system and wiring up the positions. Finned mortar bombs for a 58mm Crapouillot (?) are carried forward into a front-line trench and used to bombard the German positions...
The film starts with an order of the day, in French and Flemish, from King Albert to his soldiers dated 27th September, telling them that the time for the decisive attack has come. 75mm guns start the...
Kitchener, in civilian clothes, inspects a parade of Boy Scouts. Next he arrives by car in his blue Field Marshal's uniform to inspect a parade, probably of the London Regiment, outside the Guildhall....
Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...
Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...
Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...
Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Mercedes-Film GmbH, Die Leibhusaren und ihre Geschichte, Der Kinematograph, 565, (1917). Die Werbung verweist darauf, dass der Film durch von Mackensens Frau gefördert wird.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische Unterst...