A Bristol Fighter of 4 Squadron RAF spots two 'enemy' Whippet tanks taking up position to halt the advance of 1st (Guards) Brigade, 1st Division. Oblivious of this, the Guards move towards their objec...
Four officers round a planning table decide on the offensive. A regimental colonel receives his orders outside his dugout. The bombardment starts, from rifle grenades, 58mm Crapouillot mortars, 105mm ...
Anzac Beach in July 1915 (not "May, a month after the landing". See Notes - Summary). Men of the ANZAC Corps help build Watson's Pier. Further up the beach, caves and shelters have been dug into the h...
The inmates are all women, at least some permanently invalided. They work at tables with paints and paper making the flowers.Columns of Austro-Hungarian prisoners of war march, escorted by Russian hor...
First, the arrival by car and carriage of the various mourners at the west door of Sankt Stefan's Cathedral. Recognisable among the dignitaries arriving are Archduke Joseph, Archduke Friedrich, Archdu...
Soldiers start digging a trench system and wiring up the positions. Finned mortar bombs for a 58mm Crapouillot (?) are carried forward into a front-line trench and used to bombard the German positions...
The film starts with an order of the day, in French and Flemish, from King Albert to his soldiers dated 27th September, telling them that the time for the decisive attack has come. 75mm guns start the...
Kitchener, in civilian clothes, inspects a parade of Boy Scouts. Next he arrives by car in his blue Field Marshal's uniform to inspect a parade, probably of the London Regiment, outside the Guildhall....
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
American soldiers sent to France march with the American flags in the streets of Paris.
A soldier with cannon in a trench during the battle of Terron.
O. Verf.. "Filmempfehlungen der Lichtbilderei GmbH M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1917). Die genannten Filme (Quo Vadis, Die Jungfrau von Orle...
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...