A couple's suffering finally comes to an end when Jean, having lost his memory through shell shock, sees the cross of shame on Jenevieve's breast, gets his memory back and the two pledge their troth.
War-time report, probably released in August 1919.
Report on Poincaré's presidential visit to Belgium after the First World War.
Report on Poincaré's presidential visit to Belgium after the First World War.
News item showing the visit of King Christian X from Denmark to Belgium.
"Propaganda film consisting of newsreel items and fragments of fiction films about the destiny of ""poor little Belgium"" at the beginning of the war. Although the original nitrate film has two langua...
German propaganda documentary about the operations of the U-35, a German U-boat during World War One. This is a French version, together with the British version, released in november 1918.
Newsreel issue related to the commemoration of the First World War.
First World War commemorative parade, in attendance of members of the Belgian royal family.
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
Still from "Die rätselhafte Sphinx"
Szene aus "Der rote Baron"
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.