An unidentified (and unfortunately incomplete) exotic melodrama, tends towards De Mille's The Cheat. Considered by specialists as a German film.
Newsreel item on the visit of the French statesman Georges Clémenceau, visiting the frontlines in Belgium.
Newsreel item on the visit of the French statesman Georges Clémenceau, visiting the fr...
Frammenti della versione cinematografica del celebre feuilleton di Carolina Invernizio.
A short film about the painter Gino Rossi: his life, art, struggle against the academies, conformity and middle class duplicity. His dissent is unyielding, his life complete freedom, but he ends...
A patriotic film tinged with humor and sentimentalism. Stock footage (the crowded town, the departure of warships) and reconstructed war scenes in the desert are part of the second half about th...
The life of the parish priest don Giovanni Minzoni is reconstructed from adolescence to adulthood, from pastoral mission to extreme sacrifice. The film visits the places of his youth in his home...
Documentary footage of the exercises of the bersaglieri corps.
01 – Visita (Roma, 26/10/1967) Nella basilica di San Pietro, in Vaticano, Papa Paolo VI ed il Patriarca di Costantinopoli Atenagora partecipano a una cerimonia religiosa per avvicinare la chie...
Medium shot of nurses Tonička (actress: Truda Grosslichtová) and Mathilde (actress: Adina Mandlová) standing by a table in a room. Mathilde has a paletot over her shoulders and is staring fixedly s...
Medium close-up of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and the cadet Severa (actor: Stanislav Strnad), who is lying on a hospital bed.
Medium close-up of Nurse Tonička (Truda Grosslichtová) and Corporal Bartoněk (Jiří Vondrovič) standing in a corridor. They are smiling at one another and she is touching his bandaged hand.
Medium shot of an Austrian officer and Nurse Mathilde (actress: Adina Mandlová) looking at each other. The man is smoking a cigarette. Another soldier is visible behind them. In the left background i...
Several Austrian soldiers are moving about in front of a standing train. Several of the soldiers are carrying cargo. Other soldiers are looking out of the windows and open doors of the train.
Medium shot of Toman's wife Lída (actress: Marie Rosůlková), his son Vláďa (actor: Zdeněk Záhorský), and Dr, Šrámek (actor: František Smolík), who is shaking Vláďa's hand. Vláďa is wea...
Medium shot of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and nurse Mathilde (actress: Adina Mandlová).
Medium close-up of Rjepkin (actor: Vladimír Borský) sleeping on a bed and First Lieutenant Liška (actor: František Kreuzmann) in pyjamas leaning over him.
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Stein, O. Th.. "Der Kinematograph als moderne Zeitung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 25-28. Stein beschreibt die Wochenschau in den Kinos als sch...
O. Verf.. „Kinotheaterwesen und deutscher Einfluss im östlichen Mittelmeer.“ Der Kinematograph 374 (1914). Obwohl es im Rahmen des Bagdadbahnprojekts zur verstärkten Gründung von Kinos durch de...
O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...