I. 'STRICKEN SERBIA: Serbian wounded soldiers waiting at a base depot, before being transferred to a hospital ship'. Men gather by a building, most of them bandaged or carrying crutches. Men hand out ...
I. 'INSPECTION OF SPECIAL CONSTABULARY. Inspection of the L Division of Metropolitan Special Constabulary by the Inspector General.' In a London park the Special Constables - some in civilian dress wi...
I. 'U.S. TROOPS IN TRAINING. American troops taking part in a musical ride at New Jersey'. HA.LS across open square/parade ground as mounted troops form up into a square, ride round in concentric circ...
I. 'GERMAN SUBMARINE COMES TO LONDON. The German submarine-minelayer U.C.5 captured by the British Navy, moored off Temple Pier'. MS off the port quarter of UC.5 secured alongside the pier - old Londo...
I. 'GUNS FOR SALONIKA: Unloading an enormous gun from a transport and mounting it on its gun carriage'. The barrel of a large calibre gun is lowered on ropes and pulleys over the side of a ship. Austr...
I. 'RE-ORGANISING THE SERBIAN ARMY. The Serbs who are born fighters, receiving instruction in Swedish Drill, preparatory to taking their place in the trenches against the Bulgars'. Men run through PT ...
I. 'THE GUARDS SPORTS: Lifeguards give a demonstration of horse jumping over difficult obstacles, at Windsor'. Showjumping exhibition in an open field; it is raining, and the field is overgrown. The s...
I. 'RED CROSS WORK AT SALONIKA. An ambulance column moving over the mountain road to the Balkan Front'. MS over flat country to Australian troops on the march - all wear Red Cross armbands. Horse-draw...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...