I. 'STRICKEN SERBIA: Serbian wounded soldiers waiting at a base depot, before being transferred to a hospital ship'. Men gather by a building, most of them bandaged or carrying crutches. Men hand out ...
I. 'INSPECTION OF SPECIAL CONSTABULARY. Inspection of the L Division of Metropolitan Special Constabulary by the Inspector General.' In a London park the Special Constables - some in civilian dress wi...
I. 'U.S. TROOPS IN TRAINING. American troops taking part in a musical ride at New Jersey'. HA.LS across open square/parade ground as mounted troops form up into a square, ride round in concentric circ...
I. 'GERMAN SUBMARINE COMES TO LONDON. The German submarine-minelayer U.C.5 captured by the British Navy, moored off Temple Pier'. MS off the port quarter of UC.5 secured alongside the pier - old Londo...
I. 'GUNS FOR SALONIKA: Unloading an enormous gun from a transport and mounting it on its gun carriage'. The barrel of a large calibre gun is lowered on ropes and pulleys over the side of a ship. Austr...
I. 'RE-ORGANISING THE SERBIAN ARMY. The Serbs who are born fighters, receiving instruction in Swedish Drill, preparatory to taking their place in the trenches against the Bulgars'. Men run through PT ...
I. 'THE GUARDS SPORTS: Lifeguards give a demonstration of horse jumping over difficult obstacles, at Windsor'. Showjumping exhibition in an open field; it is raining, and the field is overgrown. The s...
I. 'RED CROSS WORK AT SALONIKA. An ambulance column moving over the mountain road to the Balkan Front'. MS over flat country to Australian troops on the march - all wear Red Cross armbands. Horse-draw...
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...