An overturned 18-pounder field gun with the dead bodies of its horses and crew beside it. Soldiers, including a Lewis gunner in the foreground, holding a slit trench. Cavalry officers (dismounted) hol...
Aerial sequence shot from an airship of the U-boats arriving off Harwich - Admiralty R and Modified R Class destroyers lead in Kreuzer (large) and Mittel (medium displacement) U-boats. Medium close-up...
The battalion is drawn up outside its barracks, somewhere near London. The wife of the brigadier-general commanding the depot presents boxes of shamrocks to the officers, and they in turn pass among t...
The various dignitaries arrive by car for the ceremony. Prominent are Lloyd George and General Jan Smuts. At the end of the service the people leave.The King inspects the parade of Marines. There is a...
The film opens with an unrelated scene of Australian troops exploding a shell or mine in a training exercise. 1st Spahi Cavalry Regiment 'charges' the camera. One of the men demonstrates steadiness by...
(Missing is an opening sequence showing the tearing up of the treaty guaranteeing Belgian neutrality.) 'Martyred Belgium' is the title introducing 'scene 2'. Britannia posed beside the figure of 'Belg...
I. The film opens with the Hindiya barrage dam across the Euphrates. The local population fish from small circular coracles, called 'sufas', while others carry pots and loads of fish, and wash the fis...
(Reel 1) The Kaiser gets into the state barge and is rowed across the Bosphorus (tinted orange). On the far side he gets out to greet various German officials (tinting ends). He tours Topkapi, the old...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...