The teams come out into the crowded stadium. Admiral Sims presents the ball and throws in the first ball, after which the game starts to the cheers of the crowd.The Iris steams towards the camera into...
Lyttelton, in full dress uniform, watches while the Pensioners march past him in twos in the grounds of the hospital. He inspects them, and talks to those who, due to age, have remained seated. There ...
The party tables stretch up and down the street. Helpers give gifts and cards to the children.Plumer (back to camera) pins the medals on the line of four nurses. The captions say that the nurses are r...
Princess Patricia is presented with a bouquet by a small girl. With the princess is the Duke of Connaught, a clergyman, and various officials. She 'christens' the aircraft, a Sopwith Camel which has t...
Work is in progress for the opening of an exhibition of British official war photographs at the galleries. The photographs are blow-ups to life size, including one which is meant to be the largest in ...
The artist, Bert Thomas, supervises the construction of the poster. It is a mural of the Spanish Armada urging people to buy War Bonds as a defence against a comparable threat from Germany.Allenby ins...
Lord Rhondda, the Minister of Food, arrives by car. With him is the Mayor of West Ham, Mr Will Thorne MP. A crowd of men, women and children queue with jugs at the kitchen windows to have soup dispens...
The Queen in her open carriage drives down the hill from Windsor Castle (visible in the background) past an honour guard of the Coldstream Guards to where flowers are arranged on stalls on either side...
Still from "Die Strafgefangene Nr. 63. Unschuldig verurteilt"
Still from "Dämonit"
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
O. Verf.. "Filmempfehlungen der Lichtbilderei GmbH M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1917). Die genannten Filme (Quo Vadis, Die Jungfrau von Orle...
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...