The teams come out into the crowded stadium. Admiral Sims presents the ball and throws in the first ball, after which the game starts to the cheers of the crowd.The Iris steams towards the camera into...
Lyttelton, in full dress uniform, watches while the Pensioners march past him in twos in the grounds of the hospital. He inspects them, and talks to those who, due to age, have remained seated. There ...
The party tables stretch up and down the street. Helpers give gifts and cards to the children.Plumer (back to camera) pins the medals on the line of four nurses. The captions say that the nurses are r...
Princess Patricia is presented with a bouquet by a small girl. With the princess is the Duke of Connaught, a clergyman, and various officials. She 'christens' the aircraft, a Sopwith Camel which has t...
Work is in progress for the opening of an exhibition of British official war photographs at the galleries. The photographs are blow-ups to life size, including one which is meant to be the largest in ...
The artist, Bert Thomas, supervises the construction of the poster. It is a mural of the Spanish Armada urging people to buy War Bonds as a defence against a comparable threat from Germany.Allenby ins...
Lord Rhondda, the Minister of Food, arrives by car. With him is the Mayor of West Ham, Mr Will Thorne MP. A crowd of men, women and children queue with jugs at the kitchen windows to have soup dispens...
The Queen in her open carriage drives down the hill from Windsor Castle (visible in the background) past an honour guard of the Coldstream Guards to where flowers are arranged on stalls on either side...
Still with Uschi Elleot
Still from "Ein Mädchen zu verschenken"
Poster design
Still with Carl de Vogt (on the left, sitting)
Paul Wegener
Alice Verden, Erich Ponto (both front)
Golem-figures by sculptor Rudolf Belling
Still from "Reingefallen"
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...