Opening low-angle long shot from a small boat as it crosses the bows of USS Melville, moored with two destroyers alongside (one a Tucker Class vessel). Wemyss comes onboard with Commodore Brownrigg an...
(Reel 1) Introductory titles. High-angle shot of officer's quarters, and 360 degree pan around Osea, taken from the watch tower. Dressing ship. Morning prayers at an open-air service. Medium shot as C...
I. 121ft comprised of subtitles shown consecutively without film. II. Film, including only a few of the subtitles listed above, but with visual material corresponding to some of the remainder. Medium ...
I. Nelson's Column decorated for a war bonds rally. II. Admiral Sturdee poses with vice-admiral's flag flown at the Battle of the Falkland Islands. III. Beatty and Rodman shake hands, posed between th...
I. Three Orion Class battleships, and a Queen Elizabeth, which flies a kite balloon, are escorted by a Marksman Class Leader, Special I, and Admiralty M Class destroyers. II. Long shot of HMS King Geo...
I. (Reel 1) Anglo-American boxing tournament organised by the Grand Fleet. Panning medium shot across crowds of ratings assembled on quayside around raised boxing ring - two men are fighting. US flags...
Medium shot off starboard quarter of Florida Class battleship and pan right to show 6th Battle Squadron in line ahead. Medium shot of ship's wake. Medium shot off starboard beam of Florida Class - pan...
The film starts on board the US flagship USS New York. The King and Queen have just come aboard and the camera, near 'B' Turret, shows the rest of the party coming up the outer ladder and on board the...
Still from "Gebrochene Schwingen"
Lissy Arna, Luis Trenker
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
Still from "Die Strafgefangene Nr. 63. Unschuldig verurteilt"
Still from "Dämonit"
Paul Wegener
Still with Carl Clewing (front, on the left)
Paul Kronegg, Traute Carlsen, Franz Herterich (from left to right)
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...