I. A camp for Chasseurs Alpins in hill country, possibly the Vosges area. The camp has permanent dugouts in a hillside, while 75mm guns and limbers are being camouflaged with trees and matting. The fi...
I. A recently recaptured area. A school class is held in the open air. An officer of 102nd Infantry Regiment gives small gifts to the children. The gifts include small French flags. The children's fac...
French soldiers on the Acropolis on 25th June guarding Athens from the Parthenon. They are armed and have machine gun posts set up, but there is an element of sightseeing in their behaviour. This is f...
II. French newsreel item on German prisoners of war at Saint-Dizier, France, September 1917.Some of the prisoners work in a wood cutting timber and piling up sticks. Others dig up stones for roadfill....
Subtitle captions give the French gains in the offensive as the strongpoints Fruty, Bohery and Montparnasse, the fort at Malmaison, and the villages of d'Allemant, Vaudesson, Chavignon, Pinon and Parg...
A French motor supply convoy passes through the customs posts at the Franco-Italian frontier in the mountains, and drives on through the centre of Turin. A Chasseur battalion with its pack mules march...
I. Two French soldiers in silhouette are rowed by gondola to St Mark's Square in Venice, with the Doges' Palace nearby and other gondolas riding at rest. The film emphasises that war has removed the g...
One of the men demonstrates how to fit on a pair of skis. The group of Chasseurs Alpins skis from one side of a valley to the other and a few members demonstrate ski-jumping over a low jump, the major...
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Still from "Gebrochene Schwingen"
Still with Henrik Galeen (first on the left), Paul Wegener (first from the right)
Paul Wegener, Lyda Salmonova
Still with Paul Wegener (in the middle)
Film poster
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...