Long shot from a gun position, part of the Lübeck Battery on the mole, and pan right - three men stand in front of the gun, surveying the harbour. Man picks at debris in gunners' cupboard behind a 15...
Crowds cheer the procession, which is led by Belgian Cavalry, followed by a car loaded with flowers and then King Albert and Queen Elisabeth riding in the midst of civil and military dignitaries. The ...
Austin armoured cars stand on the bridge, covering it with machine guns, as trams pass along and German civilians go about their business. (Note the British official photographer J Warwick Brooke at w...
Two cars, led by Haig's escort troop of 17th Lancers, pull up on the bridge in the mist. Haig gets out of the first car along with General Sir Herbert Plumer, commanding the Army of Occupation. Haig's...
Highlanders, probably 8th/10th Battalion, the Gordon Highlanders, sit with some South African Engineers of 9th Division outside the ruins of Arras Cathedral, 24th January 1918. Royal Engineers (or pos...
The film runs in segments of varying length, with sequences often breaking, to continue later in the reel or another reel. It shows the voyage of Lowell Thomas out from Salonika to Cairo, where Sultan...
The film is incomplete and without its proper opening. The opening sequence alternates between shots of the diary of a German Artillery officer and captions of its contents, stating that the German bo...
Arrival of the Indian Corps in Marseilles in September 1914. A montage of recruiting posters. Civilians are exhorted to join the Army. They queue at the Central London Recruiting Office in Westminster...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...