Teaterscener: To fulde mænd skal op og ned ad en trappe, hvilket resulterer i en del falden på halen.
Mother of Jiří Voldán (actress: Marie Ptáková) between two policemen in uniforms. Behind her stands secret policeman.
A group of civilians and policemen. In the middle stands infantryman Kubík (actor: Václav Kubásek) on suit. Next to Kubík stands a woman on skirt and shawl.
Medium close-up of Nurse Mathilde (actress: Adina Mandlová), Lieutenant Rjepkin (actor: Vladimír Borský) in uniform, and his wife Lída (actress: Marie Rosůlková). The women are looking at each o...
Panorama of the city of Brno (one of the film's settings) with the cathedral of Saints Peter and Paul on the horizon.
Panorama of the city of Brno (one of the film's settings) with a railway station in the foreground and the top of Špilberk castle on the horizon. The cathedral of Saints Peter and Paul protrudes up o...
View of a doctor's office. Dr. Šrámek (actor: František Smolík) sits at a desk and Dr. Klíma (actor: Karel Veverka) sits opposite him with the newspaper Národní politika in his hand. On the des...
Wide shot of a standing train occupied by Russian officers and regular soldiers. A group of Austrian soldiers stands in front of the train. Several of them are wearing armbands of the Red Cross.
Medium shot of an operating room. Dr. Šrámek (actor: František Smolík) stands on the left with a syringe in his hand. Next to him are Dr. Klíma (actor: Karel Veverka) and Nurse Tonička (actress:...
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...