Vittorio Emanuele III si reca in visita a Trieste per il 24 maggio. Lo accompagnano il maresciallo Diaz e il Duca del Mare Thaon di Revel.
1 - picchetto d'onore, autorità laiche e militare atten...
Arrival of returning German POWs at Wetzlar train station. The soldiers are greeted at the station by a crowd of people. Since the train is arriving from the direction of Cologne, it can be assumed th...
This French film shows General Joseph Joffre, the commander of the French army, visiting a battalion of mountain troops in Alsace. Among other things, Joffre awards medals to some of the soldiers and ...
Ukrainians in Wetzlar, 1919 Footage of the prisoner of war camp Büblingshausen. The Ukrainian soldiers march up to the consecration of the flag. They are dressed in new uniforms in Ukrainian style an...
"Les Annales de la Guerre" is considered the first state-produced newsreel in the history of cinema. Beginning in the spring of 1917, the French government produced the series through a film departmen...
Two French spies, Baron d’Aubigny and Clemence de Montignon, blackmail German engineer Günther Ellinghaus with his gambling debts into handing over his construction plans for the new Ikarus engine....
Miss Lo leaves finishing school and returns to her parents’ hotel “Zum Weißen Schwan”. One of the chambermaids eloped with the bellboy and now the daughter has to help out – sometimes as a ma...
An airship returns to its squadron. Unaware of the looming danger, a young man dreams of his future. He is a talented inventor who has perfected an astonishing flying machine, which he is about to try...
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Stein, O. Th.. "Der Kinematograph als moderne Zeitung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 25-28. Stein beschreibt die Wochenschau in den Kinos als sch...
O. Verf.. „Kinotheaterwesen und deutscher Einfluss im östlichen Mittelmeer.“ Der Kinematograph 374 (1914). Obwohl es im Rahmen des Bagdadbahnprojekts zur verstärkten Gründung von Kinos durch de...
O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...