Vittorio Emanuele III si reca in visita a Trieste per il 24 maggio. Lo accompagnano il maresciallo Diaz e il Duca del Mare Thaon di Revel.
1 - picchetto d'onore, autorità laiche e militare atten...
This French film shows a flag ceremony in Paris on July 14, 1917. Among others, President Poincaré can be seen honoring soldiers. "Le 14 Juillet 1917" was distributed in the 28mm format that Pathé F...
This French film shows the great victory parade of July 14, 1919 in Paris. In addition to numerous units - including African colonial soldiers - several generals of the French army can be seen at the ...
Arrival of returning German POWs at Wetzlar train station. The soldiers are greeted at the station by a crowd of people. Since the train is arriving from the direction of Cologne, it can be assumed th...
"Les Annales de la Guerre" is considered the first state-produced newsreel in the history of cinema. Beginning in the spring of 1917, the French government produced the series through a film departmen...
Ukrainians in Wetzlar, 1919 Footage of the prisoner of war camp Büblingshausen. The Ukrainian soldiers march up to the consecration of the flag. They are dressed in new uniforms in Ukrainian style an...
Two French spies, Baron d’Aubigny and Clemence de Montignon, blackmail German engineer Günther Ellinghaus with his gambling debts into handing over his construction plans for the new Ikarus engine....
Miss Lo leaves finishing school and returns to her parents’ hotel “Zum Weißen Schwan”. One of the chambermaids eloped with the bellboy and now the daughter has to help out – sometimes as a ma...
Alice Verden
Still with Lyda Salmonova
Szene aus "Westfront 1918"
Paul Wegener
Erich Ponto, Alice Verden
Szene aus "Der rote Baron"
Adolf Klein (on the left), Henny Porten, Theodor Loos, Olga Engl (sitting, from left to right)
Szene aus "Aus dem Buche des Lebens"
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...