Soldiers from the Russian army have set up an encampment and are eating on the outskirts of a forest, in thick snowfall. Near a village, cannons are fired. Men, women, and children, on their way into ...
May 1916. A large detachment of prisoners arrives at the Souilly (Meuse) camp. The detachment stands out, with prisoners from Alsace, Poland and Denmark. Featuring: A panorama of the camp and its wall...
During World War I, in Reval on November 10, 1915, Tsar Nicolas II inspects a submarine crew.
November 11, 1915, in Riga (?), Tsar Nicolas II inspects regiments of Siberian skirmishers who then march past the Emperor, performing a few acrobatics with their horses. At the end, the imperial fami...
Aboard a small boat pulled by a tugboat in the Toulon harbor, Jules-Louis Breton and some members of the Invention Department Technical Engineering Committee try out underwater goggles to find a subma...
As part of a Higher Committee organized by the Invention Department, mechanics attach a wheel then couple a gun to Lieutenant Breton's tank.
The Higher Invention Committee attends anti-torpedo test-firing beside a lake.
In July 1916, the 1st corps of the colonial army is deployed and seizes an observation post from the Germans on the front at the Somme. The general has come to take stock of the cannons taken from the...
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...