Soldiers from the Russian army have set up an encampment and are eating on the outskirts of a forest, in thick snowfall. Near a village, cannons are fired. Men, women, and children, on their way into ...
May 1916. A large detachment of prisoners arrives at the Souilly (Meuse) camp. The detachment stands out, with prisoners from Alsace, Poland and Denmark. Featuring: A panorama of the camp and its wall...
During World War I, in Reval on November 10, 1915, Tsar Nicolas II inspects a submarine crew.
November 11, 1915, in Riga (?), Tsar Nicolas II inspects regiments of Siberian skirmishers who then march past the Emperor, performing a few acrobatics with their horses. At the end, the imperial fami...
Aboard a small boat pulled by a tugboat in the Toulon harbor, Jules-Louis Breton and some members of the Invention Department Technical Engineering Committee try out underwater goggles to find a subma...
As part of a Higher Committee organized by the Invention Department, mechanics attach a wheel then couple a gun to Lieutenant Breton's tank.
The Higher Invention Committee attends anti-torpedo test-firing beside a lake.
In July 1916, the 1st corps of the colonial army is deployed and seizes an observation post from the Germans on the front at the Somme. The general has come to take stock of the cannons taken from the...
Alice Verden
Still with Lyda Salmonova
Szene aus "Westfront 1918"
Paul Wegener
Erich Ponto, Alice Verden
Szene aus "Der rote Baron"
Adolf Klein (on the left), Henny Porten, Theodor Loos, Olga Engl (sitting, from left to right)
Szene aus "Aus dem Buche des Lebens"
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...