Fragment of a newsreel item showing a recruiting march through East London by the Essex Field Artillery and Royal Navy cadets, May 1913.
Italian edition of the Pathé Journal that, following the tracks of the first railway line in Libya from Tripoli to Ain-Zara (inaugurated on March 17, 1912), shows landscapes and people.
The film documents a meeting of the National Federation of Italian (FNAI) in Genoa in 1921. Arditi were a special section of the infantry of the Royal Army during the First World War. After the war Ar...
Nationalist and patriotic movie realized during the First World War.
Il volo su Vienna del 9 agosto 1918 fu una trasvolata compiuta da 11 Ansaldo S.V.A. dell'87ª Squadriglia Aeroplani, detta la Serenissima.
Short snippet of an unidentified documentary made by Ambrosio Film of Turin during the First World War.
Fourth and final part of a documentary dedicated to the Italian army engaged in several battles during the First World War. It shows the flight over Vienna, the yield of the Austro-Hungarian and the a...
Pictures attributable to the First Balkan War.
Still from "Was Liebe vermag"
Still with Carl Clewing (front, on the left)
Paul Kronegg, Traute Carlsen, Franz Herterich (from left to right)
Luis Trenker
Lyda Salmonova
Still with Henny Porten
Screenshot from "Mit L.35 über Berlin und Potsdam"
Paul Hartmann, Adolf Klein (from left to right)
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.