Very brief film of Hawker Harts or Demons of 23 Squadron RAF taking off from a grass airstrip, England, 1935-1937.
I. 'FUNERAL OF FIREMAN HERO: J.S. Green whose fearless bravery was instrumental in saving 22 lives from a fire caused by a Zeppelin raid on the London District'. Brass-helmetted firemen carry the coff...
I. 'KING ALBERT'S CAVALRY: Cavalry keeping fit for the time when their service will be required to drive the Hun invader out of Belgium'. The cavalry are seen in action, galloping uphill and across op...
I. 'CROSSING THE VISTULA: The ruins of a bridge blown up by the Russians before retreating from the Germans'. The cantilevered bridge has collapsed in the centre and lies sprawled across the river. Th...
I. 'NAVAL BOMBARDMENT IN THE BOSPHORUS: An unique film showing the destructive power of Naval guns. Taken on board a Russian destroyer engaged in shelling the Turkish positions. Bluejackets bringing u...
I. 'PALACE OF VERSAILLES AS HOSPITAL: Scenes in the French Red Cross hospital where the "Poilus" are cared for by charming nurses'. Nurses and a doctor attend to a patient. One of the long rooms of th...
'ZEPPELIN DESTROYED. Wreckage of the air raider, the flames of which illuminated London when it fell blazing at Cuffley'. LS of crowd gathered on open parkland. Lorries wait loaded with pieces of the ...
I. 'RUSSIANS IN MACEDONIA. Russian troops disembarking from the transport to help the Allies in Macedonia.' Small paddle-steamer crowded with Russian troops runs alongside quay and men disembark. 'HEL...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Stein, O. Th.. "Der Kinematograph als moderne Zeitung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 25-28. Stein beschreibt die Wochenschau in den Kinos als sch...
O. Verf.. „Kinotheaterwesen und deutscher Einfluss im östlichen Mittelmeer.“ Der Kinematograph 374 (1914). Obwohl es im Rahmen des Bagdadbahnprojekts zur verstärkten Gründung von Kinos durch de...
O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...
Die Schaffnerin der Linie 6. Ein neuzeitliches Lebensbild, Der Kinematograph, 464, (1915), S. 17-19. Werbung für einen Film, der die kriegsbedingte zunehmende Beschäftigung von Frauen in der Öffent...
Emscher, Horst: „Der Krieg und die deutsche Filmindustrie.“ Der Kinematograph 404 (1914): 5-6. Erörterung der wirtschaftlichen Lage der deutschen Filmindustrie. Entgegnet dem Vorwurf, dass die Be...
Sellmann, Adolf. "Neue Lehrhafte Filme (Von Mitte August bis Anfang Oktober)", Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 20-22. A.S. stellt die neuesten Lehrf...