The film shows sailors carrying stretchers with survivors from the sinking through the streets of an Irish village. The formal funeral of those who drowned in the sinking, also in Ireland. A close-up ...
I. Newsreel item on Sir Edward Kemp, Canada's Minister of Militia, working at his desk and in profile against a window, January 1918. II. Newsreel item on US Ambassador Walter Page opening a YMCA for ...
The first fire is in London, "Britain's largest timberyard" burning. The second fire is an asphalt works in New Jersey, with oil tanks and barrels ablaze. The third conflagration is at "Saint Margret'...
The women work in a hangar assembling the aircraft. Some of the women are in the Women's Army Auxiliary Corps. They make the wooden frames for the aircraft wings, then attach the fabric. A group of th...
Spanish language version of a newsreel item on British horsed transport detouring round the dry Wadi Hersi, north of Gaza, since the retreating Turks have blown the bridge, Palestine, November 1917.
A German 150mm gun is towed into a wood east of Ribecourt on the Marcoing road by a Mark IV female tank HMLS 'Intimidate' (of 'I' Company, Tank Corps ?) and met by men of the Royal Artillery and (prob...
Asquith has his back to the camera throughout. He is first shown talking with British officers near Contay, then at the Royal Flying Corps base at Fienvillers watching a Sopwith 1-1/2 Strutter of 70 S...
The film opens with views of two sets of ruins, one with children playing. This is followed by close-ups, probably in both Babylon and Ctesiphon, of "carvings, depicting biblical incidents, hewn out o...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...