The film shows sailors carrying stretchers with survivors from the sinking through the streets of an Irish village. The formal funeral of those who drowned in the sinking, also in Ireland. A close-up ...
I. Newsreel item on Sir Edward Kemp, Canada's Minister of Militia, working at his desk and in profile against a window, January 1918. II. Newsreel item on US Ambassador Walter Page opening a YMCA for ...
The first fire is in London, "Britain's largest timberyard" burning. The second fire is an asphalt works in New Jersey, with oil tanks and barrels ablaze. The third conflagration is at "Saint Margret'...
The women work in a hangar assembling the aircraft. Some of the women are in the Women's Army Auxiliary Corps. They make the wooden frames for the aircraft wings, then attach the fabric. A group of th...
Spanish language version of a newsreel item on British horsed transport detouring round the dry Wadi Hersi, north of Gaza, since the retreating Turks have blown the bridge, Palestine, November 1917.
A German 150mm gun is towed into a wood east of Ribecourt on the Marcoing road by a Mark IV female tank HMLS 'Intimidate' (of 'I' Company, Tank Corps ?) and met by men of the Royal Artillery and (prob...
Asquith has his back to the camera throughout. He is first shown talking with British officers near Contay, then at the Royal Flying Corps base at Fienvillers watching a Sopwith 1-1/2 Strutter of 70 S...
The film opens with views of two sets of ruins, one with children playing. This is followed by close-ups, probably in both Babylon and Ctesiphon, of "carvings, depicting biblical incidents, hewn out o...
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...