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VIDEOER
(3074 Resultater)

FIVE YEARS AGO [Main]
1923
Imperial War Museums

I. (Reel 1) The Western Front 1916, re-edited sections of IWM 116 BATTLE OF THE ANCRE, using the same scenes and captions as the original, but not in the same order. This covers events in the middle p...

Detaljer
EVERY LITTLE HELPS (first version) [Main]
1918
Imperial War Museums

A schoolmaster drives a tram as a part-time job. Other men board lorries taking them to work part-time on farms on Sundays. They are "of all classes, from lawyers to navvies". People without local all...

Detaljer
EVERY LITTLE HELPS (second version) [Main]
1918
Imperial War Museums

The film stresses the need for part-time work to win the war. A schoolmaster drives a tram. Ladies make bandages, limb supports and other hospital items. Carpenters make crutches. Elderly part-time wo...

Detaljer
EVERY LITTLE HELPS (second version, additional material) [Main]
1918
Imperial War Museums

Several shots of pigs feeding from troughs (some but not all of these shots are used in IWM 447B). Various shots of people making bandages, artificial limbs and crutches (most material used in IWM 447...

Detaljer
WITH OUR BOYS AT THE FRONT (first version) [Main]
1918
Imperial War Museums

The funeral of a nurse killed when one of the British military hospitals in France was bombed (deliberately, according to the film) by the Germans in their March offensive. The caption style which is ...

Detaljer
WOMEN AND THE WAR [Main]
1918
Imperial War Museums

The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...

Detaljer
ANNALES DE LA GUERRE 58 - ANNIVERSAIRE DU TRAITE DE FRANKFORT [Main]
1918
Imperial War Museums

The film opens with a German jackboot across the map of Alsace-Lorraine. An old couple in Alsatian costume read the news of the annexation and bemoan their fate while German officers strut outside the...

Detaljer
a DAY IN THE LIFE OF A MUNITION WORKER [Main]
1917
Imperial War Museums

The young woman leaves her terraced house (section tinted blue) at 5am and takes the train to the factory (tinting ends). In the locker room she and the others change into overalls and boots, and cloc...

Detaljer

Bilder
(4430 Resultater)

Der Geiger von Meißen
Film still
1920
DFF – Deutsches Filminstitut & Filmmuseum

Alice Verden

Detaljer
Störe nicht die Flitterwochen
Film still
1916
DFF – Deutsches Filminstitut & Filmmuseum

Still from "Störe nicht die Flitterwochen"

Detaljer
Das Geheimnis des Ingenieurs Branting
Film still
1918
DFF – Deutsches Filminstitut & Filmmuseum

Szene aus "Das Geheimnis des Ingenieurs Branting"

Detaljer
Der Golem und die Tänzerin
Film still
1917
DFF – Deutsches Filminstitut & Filmmuseum

Lyda Salmonova

Detaljer
Paragraph 80, Absatz II
Film still
1914
DFF – Deutsches Filminstitut & Filmmuseum

Still from "Paragraph 80, Absatz II"

Detaljer
Der Geiger von Meißen
Film still
1920
DFF – Deutsches Filminstitut & Filmmuseum

Still with Alice Verden, Erich Ponto (both on the left)

Detaljer
Christa Hartungen
Film still
1917
DFF – Deutsches Filminstitut & Filmmuseum

Still with Alexander von Antalffy (on the left)

Detaljer
Westfront 1918
Film still
1930
DFF – Deutsches Filminstitut & Filmmuseum

G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)

Detaljer

TEKSTER
(661 Resultater)

Von den künsterischen Möglichkeiten des Wandelbildes. Aufsatz, um 1916
Article
1916
DFF – Deutsches Filminstitut & Filmmuseum
Detaljer
Kritik aus Breslauer Generalanzeiger (22.10.1916)
Review
22.1
DFF – Deutsches Filminstitut & Filmmuseum
Detaljer
Kritik aus Kölner Tageblatt (15.02.1915)
Review
15.0
DFF – Deutsches Filminstitut & Filmmuseum
Detaljer
Kritik aus Neues Tagblatt (14.10.1916)
Review
14.1
DFF – Deutsches Filminstitut & Filmmuseum
Detaljer
Filmprogramm von "Das Ende des Homunculus"
Programme
1916
DFF – Deutsches Filminstitut & Filmmuseum
Detaljer
Zensur und Sittlichkeit
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...

Detaljer
Der Film im Dienste der Politik
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...

Detaljer
Die Vorteile durch den Krieg für das Kinotheater
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...

Detaljer