The party, in informal dress, walks in the gardens of the house. Beaverbrook's young daughter and two smaller sons (wearing kilts) are prominent. The group poses on the terrace steps, followed by a se...
The film stresses local personalities (some mentioned by name) and details of local life. At the village pump a notice-board is used for newspapers to spread news of the war. Children play round a may...
The Portuguese officers pose with their British liaison and training staff. A parade ground marchpast, possibly gunners doing formation drill. Semaphore practice on the parade ground. Gun teams practi...
The sports are held by convalescent soldiers wearing hospital blue uniforms, and by nurses. A man and woman in civilian clothes, well-dressed, throw sweets to the crowd of convalescents. The sports co...
A pan of the assembly camp in Egypt, tented and open, where the "recruits of all provinces dressed in various types of garb" arrive and are given Egyptian Labour Corps uniform, "the men are delighted ...
Horses from the farm are exercised by young ladies of the Women's Land Army Agricultural Section, acting as grooms. The horses are cantered round a paddock and over a low jump. Each of the eight girls...
Newsreel item showing US aviators arriving by lorry in Stratford, England, September 1918
A very brief scene of a parade of soldiers being addressed by civilians, possibly the visit of J R Bennett to the Royal Newfoundland Regiment at Ecuires, France, June 1918.
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
Dr. Weiser, Der Ernemann-Kinox im Felde, Der Kinematograph, 438, (1915), S. 21. Bericht über die Eröffnung eines Feldkinos. Beigefügt ist ein Bild des Kinos mit seinen Besuchern. Der Verfasser kün...
O. Verf.. "Das Kinoplakat." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Meldung über die zunehmende Hebung des Niveaus von Kinoplakaten. Statt auf grelle...
L. B., Berliner Filmneuheiten, Der Kinematograph, 686, (1920), S. 21-22. "Das Cabinet des Dr. Caligari" wird als bahnbrechendes Werk beschrieben, dass beweise, wozu die Filmkunst imstande sei. "Der Re...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 416, (1914), S. 19-20. Rezension der Kinoneuerscheinungen. Die Zahl der rezensierten Unterhaltungsfilme (in denen Soldaten zwar dargestellt we...
O. Verf.. „Das Programm in Kriegszeiten.“ Der Kinematograph 405 (1914): 8. Obwohl viele Kinos geschlossen hätten, würden die Besucherzahlen in den Kinos immer weiter zunehmen. Dies sei insbesond...
Rosenthal, Alfred. „Kinovorstellungen in Vereinen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 198-200. Ratgeber mit Vorschlägen, wie Filmvorführungen in ...
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...