Limbered 77mm field guns pass at the trot, then halt for the crews to dismount. The caption points out that German NCOs lead each column. A posed group of senior officers, including one German in Turk...
The brigade, raised in Camberwell, parades through the streets on its way to join 33rd Division at Bulford. The streets are lined with people as the limbers move past.
Newsreel item on CLVI Briga...
The aircraft, a Rumpler Taube reconnaissance plane, has been brought down virtually intact, and lies guarded by French soldiers in the middle of a square. Curious Greek civilians surround it.
New...
The film starts with the four-man aircraft crew posed at the water's side in Kristianiafjord, with the two pilots, Captain S D Scott and Major C J Galpin, in the centre. Their flying-boat, a Felixstow...
The ship's hull, described as a "USA Mammoth Warship", comes down the slipway and into the water. It has yet to be fitted out (see notes).
Newsreel item on a launch at the New York Navy Yard, Bro...
Spectators watch as engineers complete the fitting of the tank's tracks for its rough ground tests. It drives up and down slopes, over frozen puddles, and across railway lines. Then, with the tracks a...
Over the rough ground of the foothills the British drive their tanks, the Light Tank Mark IIB. In close-up, the turret of one tank opens and the commander (wearing a special tanker's helmet) emerges t...
A line of Vickers Medium Mark I tanks, almost wheel-to-wheel, "greatly improved and much speedier than those in the Great War". A Dragon tows an 18-pounder Mark IV field gun along a road. At a field b...
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Stein, O. Th.. "Der Kinematograph als moderne Zeitung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 25-28. Stein beschreibt die Wochenschau in den Kinos als sch...
O. Verf.. „Kinotheaterwesen und deutscher Einfluss im östlichen Mittelmeer.“ Der Kinematograph 374 (1914). Obwohl es im Rahmen des Bagdadbahnprojekts zur verstärkten Gründung von Kinos durch de...
O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...