As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
A young girl works cleaning the kitchen floor of a house. When she has finished she tosses the soap and cloth into the sink, which is full of water. The cook tells her, gently, that the soap will wast...
A camel train approaches and enters the city. A panorama of the city taken from the sea. Tiffin (compressed camel or horse fodder) being unloaded from ships lying out to sea by surf boats. The men wor...
A Royal Engineers sergeant shows how to load two carrier pigeons into a small wicker basket for transport. At the Rosyth seaplane base Felixstowe F2A flying boats and Short 184 seaplanes ride at ancho...
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
Natasja Juul in "Near and Elsewhere" (2018)
Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Above and Below" (2012-14)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
"And-Ek Ghes..." (2015/16)
O. Verf.. „Wo steht dieses Inserat?.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Angeführt wird ein Inserat aus dem „Kinematograph“, in dem Fillme...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Internal correspondence regarding the shooting for "Liebe".