One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The 1957 Industrial Fair and Exhibition in Sydney, Australia where Babcock and Wilcox Australion Co. had a ...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The film includes shots of Babcock and Wilcox boilers being installed in the Kodak factory, Essex. [See al...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd between 1954 and 1961, it includes a tea party for members of staff held at Turnberry Hotel where they also play golf for the inter-...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961, it features the Babcock and Wilcox tower crane involved in building the new sports stadium, Crystal Palace, ...
One of a series of twenty films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961, it looks at the Scottish Gas Board Works at Westfield and ferries using Babcock and Wilcox steam engines...
One of a series of 20 films made for Babcock and Wilcox between 1954 and 1961, it illustrates the firm's involvement with atomic power and their construction of a reactor pressure vessel at Hinkley Po...
Steel making processes at Glengarnock Iron and Steel works.
The Forth and Clyde Canal's operations on its last year of use.
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
Veronica Ferres in "Salt and Fire" (2015/16)
"Above and Below" (2012-14)
"Above and Below" (2012-14)
"Rivers and Tides" (1998-2001)
Branislav Trifunovi?, David Thornton (v.l.n.r.)
Szene aus "Losers and Winners"
Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...