Surrealistic view of the "Honeymoon couple", interrupted by salesmen, consumer goods, jealousy, anger and infidelity. [Award winner in the 1957 Scottish Amateur Film Festival.]
A wealthy young man tests his lover’s faith and devotion by pretending to be poor. When he loses his fortune, no one believes that he used to be rich.
Mary is in love with a young farmer, who goes abroad to earn money. During his absence, Mary's family is assailed by disease and poverty. Since she has not heard from her beloved for a long time, she ...
The father (Vasilis Avlonitis) of four daughters of marriageable age brings home a man (Ntinos Iliopoulos) as a potential candidate for one of them to marry. One daughter is interested in him, but he...
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
Surrealistic view of the "Honeymoon couple", interrupted by salesmen, consumer goods, jealousy, anger and infidelity. [Award winner in the 1957 Scottish Amateur Film Festival.]
A wealthy young man tests his lover’s faith and devotion by pretending to be poor. When he loses his fortune, no one believes that he used to be rich.
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
"Rivers and Tides" (1998-2001)
Maggie Peren, Ken Duken (v.l.n.r.)
Volker Michalowski, Veronica Ferres, Gael García Bernal (in the front from left to right) in "Salt and Fire" (2015/16)
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...